1) It's a documentary. Through ten Pride Month viewings over three years, I had yet to watch a documentary.
2) It's about a trans man, which worked with my decision to watch two movies about trans men and two movies about trans women, alternating weekly.
3) It addresses a topic that is vital to trans athletes, which is where they fit in the gender-divided sports world which has fairly strict, though hopefully loosening, guidelines on who can compete against whom.
Leo Baker was born Lacey Baker, and the first thing I found noteworthy about Nicola B. Marsh and Giovanni Reda's 2022 documentary was how much it engages with Leo's dead name. In a narrative film, you can choose how much or how little to do that, and it may be a key component in what you're trying to explore with your theme. The characters don't have a choice, because the writer makes that decision for them.
When Leo chose to tell his story, he probably had some choice over how often Lacey was invoked. You can see it makes him visibly uncomfortable to speak too much about Lacey, though also that he knows this is part of telling his story in as honest and as complete a manner as possible.
First Lacey, then Leo, is one of the great skateboarders for his age group, and during the setting of the film, is one of the athletes preparing for the debut of skateboarding during the 2020 (eventually 2021) Tokyo Olympics. However, his ascendancy has resulted in steadily becoming more masculine in his appearance, while still competing under the name Lacey, against other girls (he's a teenager), however reluctantly. In addition to society marking him as a certain gender, by convention, the world of competitive skateboarding has to mark him as a certain gender, by necessity -- especially since, as far as they know, he is indeed a woman.
But the dishonesty of continuing to compete under his dead name is having severe consequences on the young skateboarding prodigy, in addition to losing him some of his endorsements when he cuts his hair and starts shaving his head. The world seems to get that Leo is trans, even before he's told them.
The interesting thing about skateboarding is that it's one of those sports that seems like women and men can do equally well. You obviously would not want men and women in the same boxing ring, but the gender division of skateboarders is far more arbitrary. It relies more on fine motor skills than the brute strength that has traditionally justified the separation of men and women in competitive sports.
And though that exact arbitrary division isn't belabored in Stay on Board, it comes through clearly. If men and women were just assigned to compete against each other, which they really could in this case, how Leo defines himself as a trans man would not be relevant at all, and his upward trajectory might be less damaged. (Of course, I don't know that there's any Olympic sport where men and women compete against each other, so the Olympics, while apparently a boon for the skateboarding community, are actually a focused moment of challenge for Leo.)
Another thing I found interesting about Leo's story was his relationship with his girlfriend. I don't mind telling you that the sexual preferences of trans people is something I have questions about. If you are a trans man and you are dating a woman, are you better classifiable as a heterosexual trans man, a lesbian, or just something else entirely? The "something else entirely" is probably a good single encapsulation of what it means to be queer, especially trans.
But the effect of his transition on his girlfriend, who remains supportive, is an interesting one to note. She's obviously a lesbian and she got together with Leo when he still identified as a woman, though this is a bit blurry, because they reveal a conversation they had soon after meeting where the girlfriend asked him about his preferred pronouns. He started with a hurried "she/her is fine," before changing that answer to "he/him" the next day. (Though interestingly, some other interviewed subjects refer to Leo as "they/them," another indication of just what kind of spectrum this is.)
It seems evident, though, that the girlfriend (I should probably look up her name rather than continuing to refer to her as "the girlfriend") imagined she was falling in love with a person who was primarily a woman, at least physically if not emotionally. Leo saving money for his top surgery is acknowledged as a potential moment when they might have to consider breaking up, because the physical side may soon no longer be what the girlfriend wants. (That's my last reference to her and I never looked up her name, which is too bad because she's lovely, both physically and emotionally.)
Stay on Board is a little meandering in terms of its structure, and it barely ekes out a complete feature length at only 72 minutes. There's definitely some repeated material here. Generally, though, the film follows a satisfying forward momentum in Olympic preparations, and our checking in with Leo's mental state as he deals with the expected obstacles is poignant.
Okay, next week is my final Pride Month viewing for June, with a story about a trans woman that's one of the more prominent ones out there -- and potentially problematic in some ways. Stay tuned.