Showing posts with label hugo. Show all posts
Showing posts with label hugo. Show all posts

Thursday, November 22, 2012

Pre-Thanksgiving 3D extravaganza


I've developed a very specific kind of tradition lately as it relates to my Wednesday-before-Thanksgiving trip to the theater.

In the past, I'd always try to go to a movie on the shortened last day before a long weekend -- Memorial Day, Labor Day, what have you. My boss tries to release us two hours early on days like this, and I'd taken advantage of those extra hours to grab a flick.

Since the birth of my son, my responsibilities have necessarily caused many of these opportunities to fall by the wayside. One that hasn't fallen is seeing a movie on my pre-Thanksgiving early release, and since my boss already told us yesterday that he might not be in today and that we could leave two hours early, I don't have to worry about a last-minute bout of Scrooginess causing him to renege. (Unless he reneges electronically, but that seems unlikely.)

And even though it originally looked like the times might not work out, it now appears likely that I'll be able to attend a 1:50 showing of Ang Lee's Life of Pi. Making this the third straight year that I will have gone to a 3D movie on the day before we eat turkey.

In 2010 it was Tangled. In fact, it was Tangled by default, because either there wasn't anything else opening that interested me, or the other things opening didn't have convenient start times. I dragged my ass to Tangled even though I didn't have high hopes for it, just to take advantage of the opportunity and my wife's blessing. As you may recall, I absolutely loved it -- so much so that I eventually ended up ranking it #2 for the year.

Then last year it was Hugo. I didn't love Hugo like I loved Tangled, but there were parts of the movie that delivered an equivalent level of exhilaration to me. In fact, the thing both films had in common was their exceptional use of a technology that is frequently fumbled by filmmakers: 3D.

Now Life of Pi is being billed as "The next Avatar." At least, on the billboard I see on my way in to work. I certainly hope that the story is better, but I think the comparison they're trying to make is a technological one. If this billboard is to be believed, Life of Pi is doing things with 3D and CGI that will make us ooh and ahh the way Avatar did.

Actually, I know the story of Life of Pi is better because I've actually read the book. I say "actually" because reading has been a particular weak spot for me in the past couple years. In fact, until I experienced a reading renaissance through audio books on my commute to work in the past six months, which has led to the consumption of about a dozen new books, it'd had been a couple years since I'd read a book from start to finish. Pathetic but true.

And so when an adaptation of one of the books I've read comes home to roost, it does give me a little sense of pride that I'm not a total philistine. For similar reasons I'm looking forward to the adaptation of Ender's Game, which is due out next year and will probably be a visual marvel in its own right.

But let's not look ahead to next November 1st. For now I'm excited about this November 21st, when I'm hoping to go three-for-three in pre-Thanksgiving 3D extravaganzas as part of this newly established tradition.

Now just knock on some wood for me that I don't have any work crises that nullify the possibility of my early release.

Happy Thanksgiving, everyone.

Thursday, November 24, 2011

Holiday family movie scrum

It's no secret I like talking about release dates on this blog. I speculate on the reasons why films are released the dates they are, and either second-guess or applaud the studios for their decisions. I also tend to notice the dates where there are too many movies coming out, or too few, or whether several movies releasing on the same date cater to the same demographic and will therefore divide the available box office to their own detriment.

Today, the day before Thanksgiving, it's this last scenario that's in play: an all-out scrum between movies intended for the young (and the young at heart).

Which has encouraged me to take my first amateurish (very amateurish) stabs at doctoring images in Microsoft Paint. Hey, what do you want, I can't afford Photoshop. Be gentle. (A childlike attempt at playing around with images for a post about children's movies? I see the thematic relevance.)

Can you ever remember three family movies releasing on the same date? Two, maybe, but three?

As The Muppets, Hugo and Arthur Christmas all hit theaters in time for your Thanksgiving box office dollars, one of them is sure to be the loser. The best bet for a hit is The Muppets; the worst, Arthur Christmas. But my guess is that The Muppets will do such business that both the others will noticeably suffer.

Needless to say, I also have a take on each film. So let's get right to it ...

Just another Muppet movie?

I was as excited as the next guy to hear that the Muppets were being revived for a new movie starring Jason Segel and Amy Adams, both of whom I like very much. (A post for another time: Amy Adams may be the most inherently sympathetic actress in decades.)

But then I got to thinking of my excitement as just another byproduct of the reboot trend.

See, there's something about a movie called The Muppets that makes you think they're going back to some essential roots, shifting the Muppet paradigm in some way, or making a be-all end-all Muppet movie whose self-reflexivity is in some way key to what it will be.

Really, though, it may be just another Muppet movie in a series that already includes a half-dozen films over 30 years.

The plot of this movie, as I understand it, has to do with the discovery of oil under the Muppet Theater, and an evil oil tycoon's attempt to raze the theater to get to the oil. But if this movie were called The Muppets Take the Oil Field or Save the Muppets or There Will Be Muppets, it really would seem like just another Muppet movie.

Instead, we've got our hopes raised by the prospect of something shiny and new yet also consummately classic. I don't really know what big difference we're expecting -- the movie is not in 3D, and the format is not changing so that the Muppets will be digital. (God forbid -- the key to their charm is their tactility, and the knowledge that an actual puppeteer is just out of the shot. I remember when the CG movie Flushed Away was made in the style of Aardman's claymation, and it was a disaster.) But admit it, we're definitely expecting something that's extra "big" about this movie, not just another installment disguised as something special because the title is going back to the basics.

In case you've forgotten, the last couple Muppet movies were not received particularly well. And in case you think I'm some kind of Muppet grump, let me tell you that I absolutely love Muppets from Space from 1999. But there's a reason that was the last theatrically released Muppet feature. Even those of you who profess to worship Jim Henson stopped being enamored with the movies sometime around The Great Muppet Caper or The Muppets Take Manhattan. I bet you didn't even see Muppets from Space.

I just think it's convenient that we're all forgetting how we dismissed the later Muppet movies, while telling everyone how excited we are to see this one. We think that it reflects positively on our character that we cherish the Muppets, but really, most of us are fair weather friends. And smartly, The Muppets has convinced us that the weather is fair again. Here's hoping that's true.

It may just be a sign of the times. We seem to be craving nostalgia more than we have at any other time in cinematic history, if you are judging only by the large number of reboots. But it's not like we're so hard up for quality family entertainment. In fact, you could argue that Pixar's run of success, coupled with some beloved films by worthy Pixar imitators, means that our current era is one of the best eras ever for movies aimed at children -- certainly better than the Disney doldrums of the 1970s and 1980s.

So are we really starved for the Muppets, or are we just tricked into thinking we are? Either way, this weekend's box office should prove that the psychology worked on us.

And as a guy who loved Kermit the Frog from my early childhood all the way until I was a 25-year-old when Muppets from Space came out, I'm glad for it.

To the tune of the Kinks' "Father Christmas"

When I was young I believed in Christmas flicks
Though I knew they're mostly bad
I'd stand in line at the movie theater
Give me some cheer and I'd be glad

But the last time I saw a Christmas movie
I found it trite and cheap and lame
I felt like the studio had mugged me
I don't want them to do the same

But they say "Arthur Christmas! Give it some money!
Don't mess around with those other flicks
It'll bomb if you don't hand it over
We want your bread so we don't take our licks
And end up unemployed pricks."

I hope Hugo doesn't get whacked

I actually don't have much of a take on Hugo, except the obvious observation that it's such a departure for Martin Scorsese.

But the "whacking" joke actually has some extra meaning beyond just being a wink at Scorsese's more familiar cinematic milieu. This film really could get whacked at the box office. Not only is the story unfamiliar (I assume) to many kids, but the running time is prohibitively long, a very Scorsese-like 127 minutes. That's a lot of squirming for a lot of parents to have to endure.

In fact, I'd say that the presence of Scorsese's name on this project has everything to do with why many people are interested in seeing it. Without that, it could be just another story nobody's heard of.

I've also heard that the 3D should be great. Seeing as how I can't actually remember the last movie I saw in the theater in 3D -- could it really have been The Green Hornet all the way back in January? -- I'm really looking forward to my 1:40 screening of Hugo this afternoon, after our early release from work.

That's right, I'm carrying on the tradition of seeing a movie on my Thanksgiving Wednesday early release for at least one more year. Ordinarily, my wife might love my help with our son if I were getting out early. But today, he'll be at daycare, since his normal Friday session was rescheduled for the holiday. That'll mean I can see a movie, guilt-free, and then just pick him up afterward.

Hugo has pretty big shoes to fill, if you consider the huge success my Thanksgiving Wednesday screening was last year. Last year on this date I saw Tangled, and it went on to be my #2 ranked film for the whole year.

If I don't post tomorrow -- and please, don't let me -- have a happy Thanksgiving everyone.