Showing posts with label scent of a woman. Show all posts
Showing posts with label scent of a woman. Show all posts

Tuesday, August 16, 2011

Too much/little respect for Scent of a Woman


Ever have one of those movies that keeps coming up in your life, even though it isn't new and in most other ways is totally random?

For me recently it's been Martin Brest's Scent of a Woman.

Scent of a Woman is one of those movies we all basically liked at the time it came out. It seemed like an appropriate enough Oscar nominee in the year 1992. But over time, it's come to be seen as hovering somewhere between simplistic and manipulative. Now, it seems average at best, and many people scoff at it when it comes up in film discussion. If it ever comes up. In my mind, I liken it to a movie like As Good as it Gets.

However, I don't think it's really deserving of the potshot I read over the weekend.

Since Thursday, the local NPR station, KCRW, has been involved in its twice-annual pledge drive. Once in January and once in August, this pledge drive breaks in on programming from 6 a.m. to 11 p.m. each day, cutting that programming at least in half for the nine days of the drive. (Used to be 11.) In the past, I used to roll my eyes each time this pledge drive came on, because it meant I was deprived of most of Morning Edition and All Things Considered for the seemingly interminable time the drive was going on. However, when I first donated, that all changed -- I felt a sense of ownership of what was going on. It took a big step forward when I started volunteering as a pledge taker for two shifts each drive back in January of 2009.

I took a break for the last two drives, when my son was on the verge of being born and when he was still young enough that my wife couldn't spare me, but I returned to my volunteer capacity this August. My two shifts this year were an 8:10 to midnight beast on Thursday, then last night's slightly more reasonable 8 p.m. to 11 p.m. shift. Then again, it was last night that I really grew bored. In fact, so bored that I reached the end of the questions on the volunteer trivia game -- one of the only ways you can entertain yourself on your computer, which doesn't have an internet connection, and one of the only ways you can entertain yourself period unless you brought something to read. (I'd brought three things to read, but I was tired and I couldn't be bothered.)

Most of the questions in this trivia game are straightforward trivia questions. They may have been culled in a rather random way -- in fact, the only question about the NFL is "Which team won the 1989 Super Bowl?" -- but at least they are mostly straightforward.

Except this one:

"Which actor won an Oscar in 1992 for incessantly shouting 'hoo-ah!'?"

The answer, of course, is Al Pacino for Scent of a Woman. A couple of Pacino's contemporaries, such as Jack Nicholson, filled out the other three choices.

What's hilarious is how much of a stance this question takes against both Pacino and the movie. I'm not sure if "shouting" was the correct gerund -- it might have been "claiming." But I know that "incessantly" was the correct adverb.

Even if Pacino's performance is reducible to a single vocal flourish like shouting out the military's abbreviation of "Heard Understood Acknowledged" over and over again, I'd hardly think this trivia game should be taking that kind of stance. Especially since the question stands out in such stark relief against the other questions, like "Which element is most common in the Earth's atmosphere?" and "In which year was KCRW founded?" I guess they figured Mr. Pacino would not be taking a shift in the phone bank.

Now, I mentioned that there was also a "too much respect" aspect of Scent of a Woman's recent appearances in my life.

I told you in my earlier post on watching the films of Krzysztof Kieslowski that I had started listening to a film podcast called Filmspotting, based out of Chicago and hosted by Adam Kempenaar and Matt "Matty Ballgame" Robinson. The Filmspotting guys are really intelligent about film and their tastes can run pretty elitist, although that's certainly not always the case -- Robinson goes on record saying that his favorite two films are Major League and Revenge of the Nerds. (However, just so you don't dismiss him out of hand, I should point out that he also called The Tree of Life possibly the most important film so far in the 21st century.)

Every week they open their show with two movie quotes. The second, I just learned, is a quote from The Graduate. Or rather, a brief exchange between a man and a woman:

"You're not interested in art?"
"No."
"Now look, we're going to do this thing, we're going to have a conversation."

The first -- otherwise why would I bring it up -- is from Scent of a Woman:

"What kind of a show are you guys putting on here today?"

In the movie, the line of dialogue refers to the farcical ceremony Pacino accuses Chris O'Donnell's school of putting on in trying to discipline him. Since it features the word "show," the line works out of context as an introduction to their show.

But is it really the first foot they want to put forward? Here's a film podcast where they incessantly (there's that word again) sing the praises of directors like Kelly Reichardt and Ramin Bahrani, yet the first voice you hear every week is Al Pacino, from a role that many consider to be clownish -- in one of those few moments when he isn't "incessantly shouting 'hoo-ah.'" Couldn't they have found another relevant movie quote that got across the same point, that wasn't from Scent of a Woman?

As discussed at the beginning, the truth about Scent of a Woman is probably somewhere in between KCRW's implied hatred for it and Filmspotting's implied affection for it.

And if Adam and Matty were reading this, they'd probably say "Dude, the quote just had the right words." And then cleanse themselves with a viewing of Old Joy.

Thursday, November 26, 2009

A dearth of turkey movies


If you're a film fan, chances are you've seen plenty of turkeys. But you probably haven't seen plenty of films about turkeys.

That's because, as holidays go, Thanksgiving is less well represented in Hollywood filmmaking than Flag Day.

As I was thinking of ideas for something to write related to Thanksgiving, I decided on a top 10 list of films in which the Thanksgiving dinner is a central part of the plot. As it turns out, I could only find five that I'd seen.

See, the website I write for has labels for each movie, related to plots and themes, in order to help you find similar movies. So I hopped on the page for Planes, Trains and Automobiles and followed its Thanksgiving label to see what other Thanksgiving films hadn't occurred to me in my initial brainstorm. I found only two that I'd seen beyond the initial three that I'd thought of, and one of them isn't even a movie I remember having anything to do with Thanksgiving.

At first, this Thanksgiving blackout surprised me a bit. After all, Thanksgiving is the second most hyped holiday in the United States, and carries with it the most vacation days as well. Whereas most people get only a single day off for Christmas, most get two for Thanksgiving. (Not me -- I'll be here on Friday, but figure to have plenty of time to update my blog while doing almost zero actual work.)

But then it occurred to me why this is. Thanksgiving's aforementioned big brother, Christmas, is one heckuva bully, and doesn't want to give Thanksgiving any of its own time in the spotlight.

Quite simply, a Thanksgiving-themed movie is not a great commercial bet for a movie studio -- especially if that same studio has already had its Christmas movie out for three weeks. If you're trying to hype up Christmas, hyping up Thanksgiving at the same time doesn't really work. You could release the Thanksgiving movie a few weeks earlier than the Christmas movie if you really wanted. But given that most Christmas movies come out within two weeks after Halloween, you'd have to release the Thanksgiving movie sometime in mid-October. And Thanksgiving just isn't on people's radars at that point. Nor can you rely on Thanksgiving weekend itself as a good time for people to see Thanksgiving movies. Once you've hit the shopping frenzy known as Black Friday, Thanksgiving is forgotten, remembered only in the form of the Tums you're popping to quell your indigestion.

But in case you are interested in seeking out a Thanksgiving movie this year, here are my thoughts on and rankings of the five I've seen:

1) Planes, Trains and Automobiles (1987, John Hughes). Release date: November 25, 1987. The best Thanksgiving movie isn't even about the social dynamics at a Thanksgiving table, but rather, about the quest to actually get to that table. Perhaps that explains its release date, just one day before Thanksgiving that year. Whenever I catch a few minutes of this wonderful film on TV, it always reminds me fondly of John Candy. This year that fondness will be doubled, as this is our first Thanksgiving without John Hughes. My guess is that it'll be playing around the clock.

2) Pieces of April (2003, Peter Hedges). Release date: October 17, 2003. This indie features Katie Holmes as a flighty hipster trying to cobble together a Thanksgiving meal for her diverse, dysfunctional family. They went with that mid-October release date here, but since it received only a limited release, commercial factors were probably not a huge consideration. It's a flawed film, but has a lot of heart and some nice touches. This is what #5 on this list was probably going for when it failed so massively.

3) Scent of a Woman (1992, Martin Brest). Release date: December 23, 1992. This is the one I forgot had anything to do with Thanksgiving. Turns out, Chris O'Donnell's character is accompanying Al Pacino's blind colonel as a job over Thanksgiving to pay for his Christmas airfare home, and they travel to the colonel's brother's for Thanksgiving, with awkward and comic results. I liked this film fine at the time, but over the years have come to see it as a bit emotionally manipulative. Not to mention that Pacino's character, with his fondness for saying "Hoo-ah!," has become a cartoonish caricature of a cinematic icon. Seems a shame that this should be the only Oscar win for the formerly excellent Pacino.

4) What's Cooking? (2000, Gurinder Chadha). Release date: November 17, 2000. This is the Indian director's multi-cultural take on an American Thanksgiving (what other kind of Thanksgiving is there?), featuring a black family, a Jewish family, a Latino family and an Asian family. It shows the predictable strain of too many characters and too many plot points, plus hits high levels of melodrama at times, but has some nice moments as well. The film wouldn't have been on my radar at all except that it briefly features an actress I was sort of obsessed with at the time, who resembled my most recent ex-girlfriend.

5) Home for the Holidays (1995, Jodie Foster). Release date: November 3, 1995. With the talent that was gathered -- Foster directing, Holly Hunter and Robert Downey Jr. among the stars -- this should have been a good movie. Then why did I find it to be a train wreck of wacky behavior and dysfunctional cliches? This movie can't be as bad as I remember it being, but I really hated it -- I found it loud, shrill, and consistently unbelievable. Especially surprising given that I figured Foster would have a soft touch, rather than wielding a sledgehammer of tired tropes.

Thanksgiving-themed movies I'm aware of but haven't seen: The Myth of Fingerprints, Four Brothers.

Did I miss any? Let me know.

And have a great Thanksgiving.