Twenty sixteen.
To quote Ryan Gosling in La La Land: "Oh my."
It was a year whose lows were more memorable than its highs. A lot more memorable.
It was a year in which we lost an inconceivable number of entertainment luminaries (David Bowie, Prince, Leonard Cohen, Alan Rickman, Gene Wilder, Debbie Reynolds, Carrie Fisher, Muhammad Ali, and that's just to get your started), and also lost a number of political luminaries forced into retirement (Barack Obama and Hillary Clinton). And even if not all those political luminaries were the perfect realization of what we wanted or needed, they gave us a much better chance of reaching the light than their alternatives.
And so we end the year in darkness.
But you know what? Whatever an individual year may be like, a cinematic year is always on a spectrum, with utopia on one end and dystopia on the other. And the highs outweighed the lows at the movies this year. A ridiculous 102 of the 151 movies I saw this year were movies I gave three stars or higher, which is 68%. So there was plenty of quality this year, even if 2016 was not quite as top heavy as some recent years.
And yeah, I can be a bit of a softie when it comes to star ratings. Perennially working on that, it seems. But it was a genuine reflection of my enjoyment at the movies this year.
So let's take a deep dive into the good, the bad and the ugly from 2016:
Three who had a good year



Honorable mentions: Kristen Stewart (Cafe Society, Certain Women, minus Billy Lynn's Long Halftime Walk), David Oyelowo (A United Kingdom, Queen of Katwe), Nicole Kidman (Lion, The Family Fang)
Three who had a bad year



Dishonorable mentions: Kevin Hart (The Secret Life of Pets, Central Intelligence), Tom Hiddleston (I Saw the Light, High-Rise), Teresa Palmer (Lights Out, Hacksaw Ridge, Triple 9)
The year I died a little inside
There's no doubt that the election of Trump was a major blow. Cinematically, it had victims that were incredibly likely (Mascots and I Saw the Light, both of which I tried to watch that first awful night) and probably not as likely (Arrival, which I saw slightly more than 24 hours later on almost no sleep, and ranked only #64 after Denis Villeneuve's last two movies hit my top ten of the previous two years). In fact, in a year in which I gave out four-star ratings more than any other (see below), it took a full additional ten days after the election for me to hit that mark again.
The election continued to affect the things I viewed and did not view for the rest of the year, both positively and negatively. In what feels like a negative, I boycotted a movie purely on subject matter for the first time in as long as I can remember: Weiner, the documentary that once might have played as humorous, but developed a possibly decisive role in Hillary Clinton's failure to win. It was probably the single must-have documentary I had on my list this year, at one point in the year. And I avoided it. Too painful.
But then that pain also resulted in weird emotional catharses in unexpected places. It couldn't get more unexpected than The Purge: Election Year. I hated the first movie in that series and didn't even watch the second one. I only ended up with the third as a result of a rental snafu, when I had to choose something and some positive word-of-mouth led me to choose this one. And as you may recall because I mentioned it more than once, this movie reduced me to nearly a minute of heaving tears at one point.
That was the empathy coming through, the empathy I already employ as part of my daily life that became so much more heightened after a bigot was elected president. And that had additional positives throughout. I wept again watching the story of a gay man struggling with his love life and a mother dying of cancer (Other People). I wept again when an Indian boy separated from his family for 25 years goes looking for them (Lion). I wept again when a young black boy asks what it means to be called a faggot (Moonlight). I wept again when circumstances and life choices kept apart two people who seemed like they should spend their lives together (La La Land). In 2016, I even felt empathy for a corpse (Swiss Army Man).
It's not that all these experiences are dissimilar from my own. It's that having empathy for others makes all struggles feel like your own struggles. And realizing that a bunch of wonderful, disadvantaged people are going to be struggling more than they usually do keeps a person's emotions close to the surface at all times.
And yes, I did see movies before November 8th. But 2016, a bad year in many respects even before then, came to be defined for the way a man who can't feel empathy became the leader of the free world.
Maybe he just needs to watch more movies.
2016 by the numbers
Breakdown of 2016 movies by star ratings: 5 stars (3), 4.5 stars (14), 4 stars (37), 3.5 stars (33), 3 stars (15), 2.5 stars (18), 2 stars (11), 1.5 stars (9), 1 star (8), .5 stars (2) - That's only 150 so I must have miscounted somewhere. But a miscount won't make the difference in this likely being my first year in which 3.5 stars wasn't my most common rating. Also, this is usually pretty much a bell curve, but not this year as I saw more movies that were 2.5 stars than three, creating a dip in the curve.
Total new movies watched in the calendar year: 325
Total rewatches: 57 (and yes, if you do the math, that's more than one movie per day -- also almost certainly a first)
2016 movies seen for the first time in the theater: 60
2016 movies seen for the first time on video: 91
2016 movies I saw twice: 3 (The Bad Kids, Tanna, Zootopia)
Best non-2016 movies I saw this year
I like to use this spot to highlight my favorite ten films I saw this year that weren't released this year. Here they are, listed alphabetically, with a short explanation for each:
The Big Parade (1925, King Vidor) - The silent movie war epic I never knew I wanted, or could love.
Downfall (2004, Oliver Hirschbiegel) - Like a sprawling Robert Altman movie but with Nazis. So much more profound and compelling than it sounds, and so much more than a meme.
The Exterminating Angel (1962, Luis Bunuel) - I've been catching up with old Bunuel movies at a pace of about one per year. I suspect he will perennially be a candidate for this list. Wonderful, intense absurdism.
Greed (1924, Erich von Stroheim) - "Greed is good." So says Gordon Gekko. I think he undersells it. Greed is fantastic, and undoubtedly the best four-hour movie I've ever seen.
Hannah and Her Sisters (1986, Woody Allen) - One of two 1980s Allen classics I saw this year, and the one that stayed good throughout. (I was a bit disappointed in where Crimes and Misdemeanors ended up going.)
JCVD (2008, Mabrouk El Mechri) - Who ever expected this self-aware, semi-fictionalized story of Jean Claude Van Damme being involved in a Belgium hostage crisis to have an emotionally devastating direct address monologue from the star halfway through?
The Kid (1921, Charlie Chaplin) - Chaplin makes this list for the second year in a row after The Great Dictator last year. Great, indeed.
The Illusionist (2010, Sylvian Chomet) - Does a similar thing to what The Red Turtle accomplishes with an absence of dialogue and a presence of the magic of the moving image.
Sherlock, Jr. (1924, Buster Keaton) - Speaking of movie magic ... this is the very definition.
Taste of Cherry (1997, Abbas Kiarostami) - Saw it before he died. If after, its themes of mortality would have felt even more poignant.
This and that
Weird trend of the year: Actors sharing last names with characters
Kyle Chandler as Joe Chandler (Manchester by the Sea)
Emilia Clarke as Lou Clark (Me Before You)
Five weirdest things for multiple 2016 movies to be about:
1) Famous Texas shootings of the 1960s (Jackie, Tower)
2) Anthropomorphized sausages (Yoga Hosers, Sausage Party, The Secret Life of Pets)
3) Man on deserted island joined by unlikely/dead companions (Swiss Army Man, The Red Turtle)
4) Christine Chubbuck, a journalist who killed herself on the air in 1974 (Chirstine, Kate Plays Christine)
5) Superheroes who should be friends fighting each other (Batman vs. Superman: Dawn of Justice, Captain America: Civil War)
Five best uses of existing popular music:
1) "Plainsong," The Cure - Closing credits, Toni Erdmann
2) "Drops of Jupiter," Train - Multiple uses, Other People
3) "I Love It," Icona Pop - Bad Moms trash the supermarket
4) "Miss You Much," Janet Jackson - Opening credits, Southside With You
5) "Sabotage," The Beastie Boys - virus song (or something), Star Trek Beyond
Opposites:
1) Lion, Lamb
2) Sully, Passengers
3) Dark Night, Moonlight
4) I Saw the Light, Lights Out
7) The BFG, Little Men
8) Deepwater Horizon, Eye in the Sky
Thank you MIFF!
Seeing 11 films at this year's MIFF gave me:
- My #1 movie of the year (Toni Erdmann), which does not release here in Australia for two more weeks
- Two of the five best foreign language nominees (Toni Erdmann and The Salesman)
- Four movies in my top 30
- 11 movies in my top 150 (wait a minute ...)
Thank you HRAFF!
Vetting films for HRAFF gave me:
- My #2 movie of the year (Tanna), which I otherwise never would have heard of
- Two movies in my top 20
- Four movies in my top 50
Lighting round
And to finish with a bunch of quick hits:
Highest ranked best picture nominee: Hell or High Water (#4)
Lowest ranked best picture nominee: Hacksaw Ridge (#138)
Best picture nominees I haven't seen: Fences
Craziest eyebrows: Emilia Clarke, Me Before You
Least crazy eyebrows: Slimer, Ghostbusters
Fartiest corpse: Daniel Radcliffe, Swiss Army Man
Fartiest giant: Mark Rylance, The BFG
Best remake: Pete's Dragon (#42)
Worst remake: Morgan (#133 - practically a remake of Ex Machina)
Best reboot: Fantastic Beasts and Where to Find Them (#33)
Worst reboot: Batman v. Superman: Dawn of Justice (#131)
Best sequel: The Purge: Election Year (#9)
Worst sequel: Bad Santa 2 (#142) or Yoga Hosers (#150), depending on your definition
Best prequel: Fantastic Beasts and Where to Find Them (#33)
Worst prequel: Rogue One: A Star Wars Story (#106)
Best movie that's not related to any other movie: Toni Erdmann (#1)
Worst movie that's not related to any other movie: Dirty Grandpa (#151)
Director I finally trust: David Mackenzie (Hell or High Water)
Director I no longer trust: John Hillcoat (Triple 9)
Director who no longer trusts me: Kevin Smith (Yoga Hosers)
Director who keeps going one on, one off: The Coen Brothers (Hail, Caesar!)
Most exclamation points: Everybody Wants Some!!
Fewest exclamation points: Paterson
Fewest exclamation points while still having at least one exclamation point: Hail, Caesar!
Actor who should have gotten an Oscar nomination but didn't: Daniel Radcliffe, Swiss Army Man
Actor who shouldn't have gotten an Oscar nomination: Andrew Garfield, Hacksaw Ridge
Actress who should have gotten an Oscar nomination but didn't: Molly Shannon, Other People
Actress who shouldn't have gotten an Oscar nomination: Meryl Streep, Florence Foster Jenkins
Actress who should have gotten a lifetime dissing Trump award: Meryl Streep
Most languages in a movie: Toni Erdmann
Least languages in a movie: The Red Turtle
Overrated: Hacksaw Ridge
Underrated: Cafe Society
Biggest surprise: Hello, My Name is Doris
Biggest disappointment: Rogue One: A Star Wars Story
One more 2016 wrap-up piece tomorrow in the form of my now-traditional portmanteaus humor piece, and then I will leave you alone.
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