Jesse Eisenberg has appeared as Lex Luthor and Mark
Zuckerberg, for which he received an Oscar nomination, and has starred in two
film series (Rio and Now You See Me).
Emma Stone has appeared as Gwen Stacey and Billie Jean King,
winning an Oscar for her role in La La
Land.
Woody Harrelson has appeared in one Star Wars movie, one Planet
of the Apes movie, one Venom movie, four Hunger Games movies and the acclaimed
first season of True Detective, with
an Oscar nomination for Three Billboards
Outside Ebbing, Missouri.
Abigail Breslin has …
Well, three out of four ain’t bad.
Poor Abigail Breslin, caught in the post child actor
purgatory that has at least not caused her to succumb to drug addiction or
public brawling. Oh she’s been working during that time, and some of the films
have been pretty prominent, such as Rango,
August: Osage County and Ender’s Game. But next to the outsized
accomplishments of her co-stars, she’s lived the last ten years in comparative
anonymity.
It’s kind of like when there are four stars of a movie
announced in the trailers, and it reels them off as follows: “Oscar winner
Meryl Streep, Oscar winner Daniel Day-Lewis, Oscar winner Charlize Theron, and …
Keanu Reeves.” (Don’t know what movie that would be, but I’d like to see it.)
Breslin, alas, is Keanu Reeves.
Bad example as Keanu Reeves is having a terrific career.
Okay … “and … Kellen Lutz.”
Breslin, alas, is Kellen Lutz.
Ages 13 to 23, which is what Breslin has been this decade,
can be tricky for any performer. Some performers – I hate this example, but let’s
say Miley Cyrus – can sail right through that period. They keep getting work
and they keep getting bigger.
But for many if not most child actors, you have to make a bit
of a rough adjustment, and see how you come out the other side when you’re
finally deemed to be an adult. The things that made you so castable as a child
may desert you during those intervening years. Your cute baby fat may become
less cute teenage fat. Your nose might start growing crooked. That adorable
baby voice may turn into an awkward squawk like the “that’s not our policy” kid
on The Simpsons.
The fact that Breslin has kept working during those years is
a sign that she’s doing better than most. But unfortunately, we still think of
her as “the little girl from Little Miss
Sunshine,” not for any new performance she’s given since Zombieland.
Zombieland: Double Tap
comes out this week, and marks her most high profile appearance since Zombieland. Hopefully this will kick off a
more enriching next decade for this engaging performer.
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