The movies that are sitting in my iTunes rental area at any given time are, by their very nature, a random collection. They typically represent a mixture of movies made available for 99 cents and those I've selected as part of some ongoing viewing project, plus maybe a title or two that I just want to see for my own reasons.
They do not, it goes without saying, reflect some kind of political agenda on my part, but I sure am glad when a positive political message arises from them.
This week I couldn't help notice my older son looking over my shoulder in iTunes as I was on my rental page. He didn't say anything, but his gaze seemed to linger on the titles in a moment of processing and acknowledgment. Those titles were Ran, The Third Wife, If Beale Street Could Talk, Chi-Raq and Shadow.
If you're scoring at home, those are three titles from Asia -- one each from Japan, Vietnam and China -- and two titles featuring predominantly African-American casts. The posters for Ran and Shadow were abstract enough that he wouldn't have known the difference, but the faces on the other three posters, and the color and look of those faces, were easy to see.
It's great to be able to tell your kids about diversity and champion it in the abstract, but it's even better to lead by example.
It was actually only the day before that he'd seen Dolemite is My Name paused on my computer, and asked about it. I explained that it was about the origins of raunchy comedy focused at an African-American audience. And though I think my son was a bit taken aback by the notion of raunchy comedy, he could see that it was something I valued. What's more, he could see I was watching this movie in the first place, of my own accord and own volition.
I would hope as time goes on, we are raising children who are inherently less racist than we were when we were that age, but it never hurts to buttress this with teachable moments. This week we also watched the (hilarious) video for Lil Nas X' "Old Town Road," at my son's behest, which was a good start. We explained a bit about why this video is so "important," because it is -- not only does it feature a black person using his music to try to promote understanding between traditionally divergent music fan bases, but that black person is also gay. Lil Nas X is like a walking, talking teachable moment. (We also praised the genius of Chris Rock, who appears in the video, and who is one of those comedians who benefited from the legacy of Dolemite's Rudy Ray Moore.)
But words pale in comparison to actions, and I love the fact that my son got to see that six of my upcoming viewings -- including Dolemite -- were movies by and about people of color.
I didn't put too fine a point on it, which was the key. If I'd said "Look, son, at how enlightened I am, watching all these movies about people who are different from me," it wouldn't have been nearly as effective.
Besides, the important part is how they are not, in essence, different from me. All film is about the human experience of life, and all humans experience life in ways that are relatably similar, even if those perspectives may seem different on the surface.
I think, or at least hope, that's what my son took away from my iTunes rental queue.
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