I had no good reason to watch CHiPS on Saturday night. It was my reluctant choice after a lot of lethargic
clicking of the right arrow on my remote control between different titles on
Netflix.
The best reason, in fact, was that I had just watched
Michael Pena play a police officer in a movie the night before as well.
The night before I watched End of Watch, which had never interested me but which has a decent
amount of critical respect (especially compared to some of David Ayer’s other
movies, **AHEM** Suicide Squad). Pena
stars in that opposite Jake Gyllenhaal. They both play LA cops.
Pena’s CHiPS
co-star is Dax Shepard, who is also the film’s director, which should have told
me something about what to expect. Dax Shepard may appear in one of my favorite
comedies of the 21st century (Idiocracy),
but that doesn’t mean I’d trust him to make a movie. In fact, I’d only trust
him marginally more than the character he plays in Idiocracy. (And figured what he’d make would be the 21st
century version of the 26th century classic Oscar-winner from Idiocracy, known simply as Ass – a feature length shot of an ass
farting).
In both instances he’s a cop in Los Angeles, too, though in CHiPS he’s actually on assignment from
Miami, secretly infiltrating the California Highway Patrol.
Not that Michael Pena playing a cop is actually particular
novel, though his other appearances as a cop are also unseen by me. If I’d
wanted to make it a quintuple feature (and if these movies were available on a
streaming service to which I subscribe), I also could have seen War on Everyone, Gangster Squad or the remake of Vacation.
For slight variations on this in movies I have seen, Pena plays a security guard
in Observe and Report, a border
patrol agent in Babel and a detective
in My Son, My Son, What Have Ye Done?
Can you say “typecast?”
As for the movies themselves, both disappointed, though I
oddly have the slightly more favorable impression of the clearly less good
movie. CHiPS was slightly better than
I expected it to be, especially since I’d set the bar so low for Dax Shepard.
As it turned out, Shepard was more charming than I expected as an actor and,
um, perfectly adequate as a director. End
of Watch was worse, though probably not a lot worse, than I expected it to
be. It was weirdly kind of a cop hagiography, which is especially troubling
given that some of what these guys do is questionable at best. Ayer seems be
pretty tone deaf in most of his movies, and this was no exception.
Pena?
Yeah, he can play a cop. No doubt about that.
2 comments:
I had this same thought and that’s how I found this post
Nice! Welcome.
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