Showing posts with label the expendables. Show all posts
Showing posts with label the expendables. Show all posts

Sunday, December 19, 2010

Filling up on junk food



Christmas is the time of year most of us add at least five pounds to our waistlines. We eat whatever's in front of us -- and there's a lot in front of us -- because we know it's just a finite period of indulgence. And besides, what would a weight-loss New Year's resolution be, if you didn't have a couple extra pounds to work off at the gym?

But while it's the time of year for dietary gluttony, it should also be the time of year for nutritional value at the movies -- at least for me, if not for you. Let me explain.

I've got 38 more days to watch all the movies in 2010 I still want to watch. I know that seems like a strange thing to say. I mean, I could still be watching 2010 movies in 2060, couldn't I? Yes, but the difference is, I won't be able to rank them as part of my year-end list. And that has a kind of out-sized importance to me.

You see, a couple friends and I (really just two of us these days -- I'm looking at you, Don) have been ranking our favorite movies released in a given calendar year, for upwards of a decade now. Actually, next year will be 15 years for me. If you don't do it yourself, I recommend it. It's a heck of a lot of fun.

The key to this kind of activity, however, is that you have to have a cut-off date, a date when you can present your results to other people without further tweaks and modifications. You'll still see movies from that year after the cut-off date, they just won't be included in the "official rankings." And traditionally, for us, the cut-off date has been the morning the Oscar nominations are announced -- this year, January 25th. That gives us a couple extra weeks after the end of the year to see the stragglers that didn't get released until late December -- or even early January, depending on your part of the country.

And so, this time of year is when the cramming begins. When we try to stuff our faces with as many movies from the previous year as possible.

However, it's not fattening, because this is the time of year when we're watching the good stuff -- the stuff that was important to see from the previous year, important to rank with its peers. And to keep better track of the nutritional movies I'm targeting this year, I'm keeping an ever-growing list of these titles on my blackberry. Would you like to see it? I thought you would. It's displayed in the order it was written, not in the order of the movies' importance to me.

Micmacs
Restrepo

Lebanon
Winter's Bone
I'm Still Here
Buried

Easy A

Somewhere
Tron: Legacy
Harry Potter and the Deathly Hallows, Part 1
Tiny Furniture
Prince of Persia: The Sands of Time

The A-Team
The Other Guys

Blue Valentine
The Company Men
Knight & Day
The Tempest
Waiting for "Superman"
Get Low
The Switch

Mother and Child
Scott Pilgrim vs. The World
The Fighter

That's 24 movies in 38 days. I'm going to be busy.

Are they all really "good for me"? Heck no. No one would ever call The A-Team "nutritional." However, it makes the list as a "film goal" of mine -- which therefore loosely gives it "nutritional value" -- because it meets the standard of being a notable movie released this year that I think deserves to be ranked. When you think about it, the goal is to see a representative sample of the movies released during the year in question -- and in a way, the rankings at the bottom of the list are as enriching as those at the top, in terms of being part of one's overall personal assessment of cinema in 2010.

The problem is, I haven't been filling up on nutritional films. I've been filling up on junk food. Which is where The Expendables and Unstoppable come in.

In fact, three of the last four 2010 films I've seen are not on this list, and never were. Add Centurion to the above movies, and you find me in the midst of a spate of unremarkable action movies that are substituting for the life-giving protein I should be consuming.

How did this happen? How am I endangering the better films on this list by watching schlock whose best hope is to be good schlock?

Well, I'll tell you. I bet that surprises you.

1) Centurion - I decided I wanted to start watching a movie at nearly midnight (!) last Friday night, and I thought at the very least I should be watching something from this year. Scanning the list of 2010 titles I'd put on my Netflix instant queue, I thought Centurion seemed like a suitable option. However, there was never much chance I was going to finish it before I went to sleep, and true enough, I watched only about 30 minutes. Determined (as I always am) to finish, I had to plod through it the next day, with numerous breaks, in the midst of all the other priorities of a typical Saturday. Finishing Centurion -- which looked good, but wasn't much on story, and was silly-bloody -- ended up crippling my day so much, I never even got in a trip to go present shopping, which was a top priority at the time.

2) The Expendables - My wife was going out for her company's board meeting on Wednesday night, so when I was out earlier running errands with my son, I impulsively stopped by a Redbox kiosk and picked up The Expendables. (Fitting in perfectly with my philosophy of what movies to rent from Redbox.) I would never have been at that Ralph's supermarket in the first place if I didn't feel compelled to extend my errands so my wife could get a longer nap. (If that sounds like I'm blaming her for renting The Expendables, I'm certainly not -- I'm just illustrating the role of circumstance in the movies we choose to watch.) Strangely, I actually passed up at least one movie on this list -- Prince of Persia -- in order to choose one that wasn't.

The problem was, when my son wouldn't eat the rare bottle of formula I tried to feed him that night, and when the penultimate episode of this season of Survivor was on, I didn't start watching the movie until a half-hour before she got home. Because it was due back by 9 o'clock the next night, I watched another 20 minutes at the end of the night, then another 20 minutes (ridiculously) at 5:30 a.m. the next morning, before finally finishing while wrapping presents the next afternoon. I really don't know why this movie got such generally favorable reviews -- I thought it was tedious and brainless (though not in a good way), and as I wrote in my status update, it's really saying something when you find Dolph Lundgren the most charismatic actor in a movie.

3) Unstoppable - I had to cram in The Expendables in part because I was due to see my friend perform at a comedy show on Thursday night. Since I was already going to be out for the evening, I figured it wouldn't saddle my wife with any extra burden if I just stayed out longer and went to a movie. She agreed, so, tipsy from three (small and free) beers at the show, I made it just in time for a 9:55 show of Unstoppable. That's right, the movie I predicted I wouldn't like because I don't like its director, Tony Scott. However, a couple critics I respect (including Joe Morgenstern) rhapsodized over it, and it's not coming to video before January 25th, so I knew I'd need to see it in the theater if I wanted to include it for 2010.

This may have been my biggest gaffe from the three movies listed above, because a) it ended up not really doing it for me, and b) I passed up a couple other movies on this list that I'd also need to see in the theater -- and could have seen on Thursday night. Part of the reason I opted for Unstoppable was that I figured I'd need something tense to keep my adrenaline pumping, given the beers in my system and the late start time. Unstoppable's biggest failure was that it didn't keep me from falling asleep. In fact, I was fighting sleep from the moment I finished my popcorn. The movie ended up being more inert than a movie about an out-of-control locomotive, directed by this ADD director, should have ever been.

What am I trying to gain by telling you all this?

Well, maybe it'll be a message to myself to start watching healthier. Yeah, watching movies is often a function of opportunity, and each of these movies represented a particular opportunity to see something in a particular window of time. But in each instance I had other, better options available, which I inexplicably ignored.

No more. This weekend I've got to cleanse my pallet with a good documentary (Restrepo) or indie drama (Winter's Bone).

I can go back to eating the junk food after January 25th. How's that for a reverse resolution?

Saturday, August 14, 2010

Demographics for dummies



The usual goal, with any film that gets released, is to reach as many different types of viewer as possible. That's the way you make the most money. And that's also why you sometimes see several different TV campaigns that are distinctly different in tone -- one that might push the romantic side of a movie, one that might emphasize its funny parts, one that might make it look like a thriller. It's all just a matter of cleverly editing the available footage.

Considering this, can you remember a weekend that was more packed with new releases that didn't give a damn about appealing to anyone outside their target demographic?

The three major new releases this week -- Eat Pray Love, The Expendables, and Scott Pilgrim vs. the World -- are each basically the prototypical example of the type of movie they are. Eat Pray Love -- adapted from a self-help book, starring Julia Roberts, and featuring dozens of exotic locations -- is squarely aimed at women age 18 to 49. The Expendables -- a testosterone-laden gathering of everyone who's ever starred in an action movie since 1984, and directed by the king of that group, Sylvester Stallone -- is intended purely for the men in that same age range. And Scott Pilgrim vs. the World -- starring teen icon Michael Cera and based on a graphic novel -- is for everyone under 18, of both genders.

So, pretty much everyone will have something to see this weekend. Those over 49 will probably go see Eat Pray Love. Which I'm predicting will be the weekend's box office winner. Hey, it's Julia, after all.

However, it will be interesting to monitor the performances of the other two, as they are each something of a test of the viability of a certain type of movie.

The Expendables is the one I'm most interested in -- not in terms of wanting to see it the most, but in terms of how it will fly with audiences. As I wrote last year when 12 Rounds came out (check out the post here), the "action hero" as such is something that doesn't really exist anymore, like he did in the 1980s -- except in this movie. In fact, this movie is giving some seriously out-of-work actors (Dolph Lundgren, anyone?) another chance at glory -- which may be either a brilliant move or an extremely stupid one. There's a reason guys like Lundgren, Jean-Claude Van Damme and Steven Seagal don't appear in movies you've ever heard of anymore -- the audience simply stopped wanting to see them. At least Stallone didn't go that far down the list to Van Damme and Seagal, and smartly hedged his bets with some guys who have current box office appeal, such as Mickey Rourke, Jason Statham and Jet Li. But even Stallone himself is a total relic these days -- the man is 64 years old -- so it will be really interesting to see if audiences buy a movie in which he is basically the star, and basically playing the 1982 version of himself.

As for Scott Pilgrim, that's the one of these three that I would probably see, but only because I'm still trying to hang on to that 18-year-old version of myself. Actually, I know it could be really good, but I also have my doubts, in part because of my well-documented case of being over Michael Cera. (There's something about the earnest way he's rocking out on the guitar in this poster that just rubs me the wrong way.) But I did discuss the possibility of seeing it a couple weeks ago with a friend, so that may transpire. In terms of being an observer of the film industry, I'm interested to see just how much box office clout Cera actually has. His roles have been steadily increasing in profile in recent years, as he's been breaking out of ensembles and starting to really carry movies himself. This is the first summer release he's had since last year's Year One, in which Jack Black did at least as much if not more of the heavy lifting in terms of trying to bring in audiences. This time out, he has no co-headliner, so it will really serve as some kind of gauge of Cera's ability to sink or swim. Let's hope having Edgar Wright as director can only help.

Eat Pray Love? I will see it on an airplane sometime.